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Jan. 20th, 2010 05:03 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
unijAfter having no clue for the first two and a half classes what to do with the project, or how to work Sinatra's products to fit into something that would be fun for me and also not one hundred percent unoriginal, I finally got struck by inspiration last night and it is so relieving.
Basic outline, 40s setting, but with magic. An older charmer tries to show a fast-living illusion-caster how to actually enjoy the craft, rather than just using it as a tool. Good thing I know so much about the 40s culture 8|;;
Doing character sketches now. It would be awesome if I followed through and didn't chicken out of comic format, switching back to short story. The idea of it is a very visual, anyway, and wouldn't translate well, so HEY SARAH DON'T SCREW UP
Basic outline, 40s setting, but with magic. An older charmer tries to show a fast-living illusion-caster how to actually enjoy the craft, rather than just using it as a tool. Good thing I know so much about the 40s culture 8|;;
Doing character sketches now. It would be awesome if I followed through and didn't chicken out of comic format, switching back to short story. The idea of it is a very visual, anyway, and wouldn't translate well, so HEY SARAH DON'T SCREW UP
